BEGIN:VCALENDAR VERSION:2.0 PRODID:-//wp-events-plugin.com//7.4.3//EN TZID:America/Los_Angeles X-WR-TIMEZONE:America/Los_Angeles BEGIN:VEVENT UID:405@1718.ucla.edu DTSTART;TZID=America/Los_Angeles:20230203T100000 DTEND;TZID=America/Los_Angeles:20230203T173000 DTSTAMP:20230127T214133Z URL:https://1718.ucla.edu/events/approaches-to-sound-d1/ SUMMARY:Approaches to Sound in the Early Modern Atlantic World - [ Day 1 ] DESCRIPTION:–conference organized by Barbara Fuchs (University of Califor nia\, Los Angeles) and Sarah Finley (Christopher Newport University)\n\nTh is conference will be held in person at the Clark Library and livestreamed on the Center’s YouTube Channel. To attend the conference in person\, you must register by submitting the booking form below. No registration is needed to watch the livestream.\n\n\n\nThis conference is free of charge. To attend the conference\, you must reserve your space by submitting the booking form at the bottom of this page. Bookings open Thursday\, January 5\, 2023 and close Monday\, January 30\, 2023 at 5:00 p.m. \n\nFace masks are not required but are strongly recommended at all indoor campus events. \n\n\n\nRooted in history\, Atlantic studies has expanded to include schol arship on literature\, intellectual exchange\, material culture and more. Nevertheless\, music remains marginalized within the field. In fact\, Glen da Goodman remarked that it “remains conspicuously absent in studies of the cultural mixtures inherent to the Atlantic world.” She points to mus icology’s relative isolation and the challenges of cross-disciplinary di alogue as barriers to more fully incorporating music into the paradigm. So und studies’ interdisciplinarity is useful for addressing this lacuna. I nquiry into Atlantic-world auditory cultures will further debates in a fie ld where notions of visual dominance and the orality/writing dichotomy oft en guide interpretations of cultural interactions. In response to this bin arism\, recent scholarship in early music has used untapped sources and ne w approaches to draw out previously marginalized voices in the Atlantic em pires (Baker\, Bloechl Native American\, Irving and Tomlinson). Neverthele ss\, scholars argue for the subject’s continued expansion.\n\nIn respons e to these questions\, “Approaches to Sound in the Early Modern Atlantic World” brings together scholars who grapple with the challenges of stud ying sound cultures in the Atlantic empires. Some strive to reconcile the apparent split between performance and the written archive. They examine a ccounts\, scores\, hymnals\, biographical remnants and chronicles for evid ence of musical or festival soundscapes in order to piece together the aco ustical fabric of the past. Others seek to re-sound “lost” or marginal ized voices in a more literal fashion\, by reconstructing sonic archives o r creating performances that engage the audience with the auditory experie nce and imagination of listeners in the early modern Atlantic.\n\nSpeakers \n\nOlivia Bloechl\, University of Pittsburgh\nJeroen Dewulf\, University of California\, Berkeley\nPatrick M. Erben\, University of West Georgia\nS arah Eyerly\, Florida State University\nCesar Favila\, University of Calif ornia\, Los Angeles\nSarah Finley\, Christopher Newport University\nAlejan dro García Sudo\, Independent Scholar\nSarah Grunnah\, Independent Schola r/Theatre Practitioner\nPaul Michael Johnson\, DePauw University\nElisabet h Le Guin\, University of California\, Los Angeles\nMary Caton Lingold\, V irginia Commonwealth University\nMiguel A. Valerio\, Washington University in St. Louis\nLisa Voigt\, The Ohio State University\n\n\n\nProgram\n\nFr iday\, February 3\, 2023\n\n9:30 a.m.\nMorning Coffee and Registration \n \n10:00 a.m.\nWelcome and Introductions\nBarbara Fuchs\, University of Cal ifornia\, Los Angeles\nSarah Finley\, Christopher Newport University\nOpen ing Remarks \n\n10:15 a.m.\nPanel 1: Contact and Exchange: A Sonic Perspe ctive\nChair: Rogério Budasz\, University of California\, Riverside \n\n Mary Caton Lingold\, Virginia Commonwealth University\n“Sound Legacy: Mu sic and Slavery in an African Atlantic World” \n\n10:45 a.m.        \nMiguel A. Valerio\, Washington University in St. Louis\n“The Black Sounds of the Early Modern Iberian Atlantic”\n\n11:15 a.m.\nPatrick M. E rben\, University of West Georgia\n“The Sounds of Indigenous Genocide\, Resistance\, and Survivance in 17th and 18th Century North America”\n\n1 1:45 a.m.\nDiscussion\n\n12:15 p.m.\nLunch\n\n1:45 p.m.\nPanel 2: Staging and Imagining Voices\nChair: Sarah Finley\, Christopher Newport University \n\nSarah Grunnah\, Independent Scholar/Theater Practitioner\n“'That’s my Cue': Listening on the Early Modern Spanish Stage"\n\n2:15 p.m.\nPaul Michael Johnson\, DePauw University\n“Aural Positionality\, Vocal Passin g\, and the Politics of Timbre\, from Algiers to Seville” \n\n2:45 p.m. \nDiscussion\n\n3:15 p.m.\nCoffee Break\n\n3:30 p.m.\nPanel 3: Sound in Ri tual and Festive Practices\nChair: Sherry Velasco\, University of Southern California \n\nOlivia Bloechl\, University of Pittsburgh\n“Making Worl ds through Sound in the Allegheny”\n\n4:00 p.m.\nLisa Voigt\, The Ohio S tate University\n“The Sounds of Africa and Brazil in Early Modern Portug uese Festivals”\n\n4:30 p.m.\nCesar Favila\, University of California\, Los Angeles\n"Voice as Mission and Franciscan Penitential Songs"\n\n5:00 p .m.\nDiscussion\n\n5:30 p.m.\nReception\n\nSaturday\, February 4\, 2023\n\ n9:30 a.m.\nMorning Coffee and Registration\n\n10:00 a.m.       \nBr onwen Wilson\, University of California\, Los Angeles\nDirector’s Welcom e \n\nPanel 4: Untuning Sonic Histories\nChair: Javier Patiño Loira\, Un iversity of California\, Los Angeles\n\nJeroen Dewulf\, University of Cali fornia\, Berkeley (Remote Presentation)\n“The Sounds of the Souls: Analy zing Haitian Rara from an Early-Modern Iberian Perspective”\n\n10:30 a.m .\nSarah Finley\, Christopher Newport University\n"Afro-descendant Harmoni es in New Spain”\n\n11:00 a.m.\nDiscussion\n\n11:30 a.m.\nCoffee Break\n \n11:45 a.m.\nPanel 5: Hearing with Fresh Ears\nChair: Barbara Fuchs\, Uni versity of California\, Los Angeles \n\nSarah Eyerly\, Florida State Univ ersity\n“Sounding New Histories of the Moravian Atlantic”\n\n12:15 p.m .\nElisabeth Le Guin\, University of California\, Los Angeles\nAlejandro G arcía Sudo\, Independent Scholar (Remote Presentation)\n“A transatlanti c tonadilla: ‘Mosqueteritos míos\,’ Madrid 1777/México 1778”\n\n12 :45 p.m.\nDiscussion\n\n1:15 p.m.\nProgram concludes\n\n\n\nAfter you book day one below\, remember to book day two.\n\n\n\nImage: De mulato y mesti za\, produce mulato\, es torna atrás\, Juan Rodriguez Juárez\, c. 1715. ATTACH;FMTTYPE=image/jpeg:https://1718.ucla.edu/wp-content/uploads/2022/09 /13246-_website.jpg CATEGORIES:Conferences LOCATION:UCLA William Andrews Clark Memorial Library\, 2520 Cimarron Street \, Los Angeles\, California\, 90018\, United States GEO:34.033012;-118.314487 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=2520 Cimarron Street\, Los Angeles\, California\, 90018\, United States;X-APPLE-RADIUS=100;X-TITLE=UC LA William Andrews Clark Memorial Library:geo:34.033012,-118.314487 END:VEVENT BEGIN:VTIMEZONE TZID:America/Los_Angeles X-LIC-LOCATION:America/Los_Angeles BEGIN:STANDARD DTSTART:20221106T010000 TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST END:STANDARD END:VTIMEZONE END:VCALENDAR