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BEGIN:VEVENT
UID:433@1718.ucla.edu
DTSTART;TZID=America/Los_Angeles:20231201T090000
DTEND;TZID=America/Los_Angeles:20231202T180000
DTSTAMP:20231113T170443Z
URL:https://1718.ucla.edu/events/converting-natural-resources/
SUMMARY:Converting Natural Resources: Representations\, Performances\, Narr
 atives
DESCRIPTION:\n\nConference organized by Elisa Antonietta Daniele\, Marie Sk
 łodowska-Curie Fellow\, University of California\, Los Angeles/University
  of Bologna and Bronwen Wilson\, University of California\, Los Angeles\n\
 nCo-sponsored by Making Green Worlds\, Social Sciences and Humanities Rese
 arch Council of Canada\, Marie Sklodowska-Curie Grant\, and the European U
 nion’s Horizon 2020 Research and Innovation Program.\n\nThis conference 
 considers visual\, textual\, material\, and performative engagement with p
 rocesses of commodification in the early modern world. It explores how ima
 ges\, objects\, and practices converted environments into resources\, natu
 ral resources into lucrative items with commercial and tax-yielding signif
 icance\, and destructive forces and forced labor into idealized landscapes
  and aestheticized bodies. The conference shifts the focus from the collec
 tion and display of phenomena in cabinets of curiosities\, to the mechanis
 ms and processes through which raw materials were converted into commoditi
 es.\n\nThe commodity\, and the creation of its idea\, following Karl Marx\
 , develops independently of its creators and is capable of triggering tran
 sformations of humans and landscapes. While worldly goods is a familiar th
 eme from studies\, for example\, of still lifes and of tulip mania\, this 
 conference fastens onto resources\, such as minerals\, pearls\, metals\, p
 igments\, glass\, ambergris\, sugar\, and paper\, and onto ways in which t
 hese materials accrued new values and meanings. Such conversions of resour
 ces into products often entailed material\, formal\, and social transforma
 tions\, which were often managed through diverse media\, re-mediation\, an
 d repetition. Accordingly\, “Converting Natural Resources” considers h
 ow new audiences and consumers for commodities were cultivated through nar
 ratives\, images\, and artifacts.\n\nSpeakers\nCarrie Anderson\, Middlebur
 y College\nSonia Cavicchioli\, University of Bologna\nTaylor Clement\, Uni
 versity of Louisiana at Lafayette\nJames Clifton\, Sarah Campbell Blaffer 
 Foundation and Museum of Fine Arts\, Houston\nKevin Dawson\, University of
  California\, Merced\nCaroline Fowler\, The Clark Art Institute\nMatthew G
 in\, University of North Carolina at Charlotte\nShannon Kelley\, Fairfield
  University\nCaroline LaPorte-Burns\, McGill University\nBernadette Myers\
 , New York University\nMarissa Nicosia\, The Pennsylvania State University
  - Abington College\nSylvia Tongyan Qiu\, University of California\, Los A
 ngeles\nCambra Sklarz\, University of California\, Riverside\nAngela Vanha
 elen\, McGill University\n\n\n\nFriday\, December 1\, 2023\n\n9:00 a.m. 
         \nBronwen Wilson\, University of California\, Los Angeles\,
  and Elisa Antonietta Daniele\, Marie Skłodowska-Curie Fellow\, Universit
 y of California\, Los Angeles/University of Bologna\nIntroduction\n\n9:15 
 a.m.\nSession 1: Consumption \nChair: Bronwen Wilson\, University of Calif
 ornia\, Los Angeles\n\nMarissa Nicosia\, The Pennsylvania State University
  - Abington College\n“Recipes for Commodities: Seasoning Natural Resourc
 es in Renaissance England”\n\n9:45 a.m.\nTaylor Clement\, University of 
 Louisiana at Lafayette\n“’The Profitable Arte’: Commodifying the Eng
 lish Garden”\n\n10:15 a.m.\nDiscussion\n\n10:45 a.m.\nCoffee break\n\n11
 :15 a.m.\nSession 2: Ligneous Conversions\nChair: Victoria Addona\, Univer
 sité de Montréal\n\nShannon Kelley\, Fairfield University\n“Colonialit
 y\, Race\, and Pine Trees”\n\n11:45 a.m.\nJames Clifton\, Sarah Campbell
  Blaffer Foundation and Museum of Fine Arts\, Houston\n“’Welcome to th
 e world of glamorous woods!’: On the Commodification of Wood for the Eur
 opean Market in the 16th to 18th Centuries”\n\n12:15 p.m.\nMatthew Gin\,
  University of North Carolina at Charlotte\n“Producing Pageantry: An Aud
 it of Materials and Processes in a Parisian Warehouse\, c. 1753”\n\n12:4
 5 p.m.\nDiscussion\n\n1:15 p.m.\nLunch\n\n2:30 p.m.\nSession 3: Submersion
 \nChair: Lyle Massey\, University of California\, Irvine\n\nBernadette Mye
 rs\, New York University\n“Coalface: Embodying Air Pollution in Early Mo
 dern Performance Culture”\n\n3:00 p.m.\nKevin Dawson\, University of Cal
 ifornia\, Merced\n“Waterscapes and Wet Bodies: Beach Culture in Atlantic
  Africa and the Diaspora\, 1444—1888”\n\n3:30 p.m.\nDiscussion\n\n4:00
  p.m.\nCoffee break\n\n4:15 p.m.\nSession 4: Suppression\nChair: Stephanie
  Schrader\, Getty Center\n\nCaroline Fowler\, The Clark Art Institute\n“
 Rethinking Erasure in Frans Post's Landscapes”\n\n4:45 p.m.\nAngela Vanh
 aelen\, McGill University\n“Oppositional Modalities of Being: Woman on a
  Beach in colonial Dutch Brazil”\n\n5:15 p.m.\nDiscussion\n\n6:00 p.m.\n
 Conclusion\n\nSaturday\, December 2\, 2023\n\n9:00 a.m.\nSession 5: Making
  Territories\nChair: Elisa Antonietta Daniele\, Marie Skłodowska-Curie Fe
 llow\, University of California\, Los Angeles/University of Bologna\n\nSon
 ia Cavicchioli\, University of Bologna\n“’Nos Mutina effinxit’: Terr
 acotta and the Shape of a Territory in Northern Italy (1400-1800)”\n\n9:
 30 a.m.\nCambra Sklarz\, University of California\, Riverside\n“The Arti
 st in the Community: Art\, Materials\, and Domestic Labor in Early America
 ”\n\n10:00 a.m.\nDiscussion\n\n10:30 a.m.\nCoffee break\n\n11:00 a.m.\nS
 ession 6: Unearthly Conversions \nChair: Rachel Weiss\, University of Cali
 fornia\, Los Angeles\n\nCarrie Anderson\, Middlebury College\n“Beads\, A
 dornment\, and Commodification in the Dutch Atlantic World”\n\n11:30 a.m
 .\nCaroline LaPorte-Burns\, McGill University\n“Up in a Puff of Smoke: A
  Salvaged Mother-of-Pearl Snuffbox and the Lessons of Shipwrecks for Early
  Modern Art History”\n\n12:00 p.m.\nSylvia Tongyan Qiu\, University of C
 alifornia\, Los Angeles\n“Out of the Water\, Into the Sky: A Pearl-Inlai
 d Celestial Globe and the Limits of the Qing Cosmos”\n\n12:30 p.m.\nDisc
 ussion\n\n1:15 p.m.\nConclusion\n\n\n\nThe conference is free to attend wi
 th advance registration\, and will be held in-person at the Clark Library.
  Registration will close on Monday\, November 27 at 5:00 p.m. Seating is l
 imited at the Clark Library\; walk-in registrants are welcome as space per
 mits.\n\nLoading…\n\n\n\nImage: Karel van Mallery after Jan van der Stra
 et\, "The Introduction of the Silkworm\," engraving\, c. 1595. https://www
 .rijksmuseum.nl/en (public domain)
CATEGORIES:Conferences
LOCATION:UCLA William Andrews Clark Memorial Library\, 2520 Cimarron Street
 \, Los Angeles\, California\, 90018\, United States
GEO:34.033012;-118.314487
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=2520 Cimarron Street\, Los 
 Angeles\, California\, 90018\, United States;X-APPLE-RADIUS=100;X-TITLE=UC
 LA William Andrews Clark Memorial Library:geo:34.033012,-118.314487
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TZID:America/Los_Angeles
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DTSTART:20231105T010000
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