BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//wp-events-plugin.com//7.4.3//EN
TZID:America/Los_Angeles
X-WR-TIMEZONE:America/Los_Angeles
BEGIN:VEVENT
UID:339@1718.ucla.edu
DTSTART;TZID=America/Los_Angeles:20210218T160000
DTEND;TZID=America/Los_Angeles:20210218T171500
DTSTAMP:20210210T200444Z
URL:https://1718.ucla.edu/events/critical-conversation-1/
SUMMARY:Critical Conversation: Exploring Visual Materials in the Early Mode
 rn World—Opportunities and Challenges for Global History
DESCRIPTION:Presented by Chase Caldwell Smith\, UCLA and Jeffery C. J. Chen
 \, Stanford University\n\nZoom Meeting\nThis event is free of charge\, but
  you must register to attend in advance. All audience members will receive
  instructions via email after registration. Click the following link to re
 gister directly with Zoom:  https://ucla.zoom.us/meeting/register/tJcsfuG
 pqD0uHdE7hCNvCtUMxGfIz8Ft5lMw\n\nHost – Zirwat Chowdhury\, Assistant Pro
 fessor of Art History\, UCLA\nRespondent - Bronwen Wilson\, Director and P
 rofessor of Art History\, UCLA\n\nAs part of our ongoing effort to sustain
  intellectual community and enable scholarly exchange\, and in order to su
 pport and encourage the work many of us are doing in a range of public for
 ums during this unprecedented time\, the UCLA Center for 17th- &amp\; 18th
 -Century Studies and William Andrews Clark Memorial Library are hosting wo
 rks-in-progress sessions and critical conversations online via Zoom during
  the 2020–21 academic year. Academic programs supported by the Center/Cl
 ark explore the latest research in the early modern period (including the 
 long eighteenth century\, which extends through the Romantic period) and i
 n special areas represented in the Clark’s collections.\n\nWhat are the 
 opportunities and challenges of using images to write global histories? In
  this critical conversation\, Chase Caldwell Smith and Jeffery C. J. Chen 
 each draw on case studies from their research to think about larger questi
 ons concerning the place of the image in global history\, and the place of
  the global in visual history. Focusing on images of men produced by a Lus
 o-Malay mestiço cosmographer in the early seventeenth-century Estado da 
 Índia and paintings of the Chinese coast made in the eighteenth and early
  nineteenth centuries\, the speakers will reflect on historiographical deb
 ates concerning hybridity\, flows\, and exchange in global and visual hist
 ories. Center/Clark Director and Professor Bronwen Wilson\, one of the two
  co-organizers of the research project\, ‘Making Worlds: Art\, Materiali
 ty\, and Early Modern Globalization’\, will act as respondent to their c
 onversation\, and facilitate a discussion with the audience.\n\nChase Cald
 well Smith is a first-year Ph.D. student in the UCLA History Department\, 
 in the South &amp\; Southeast Asia field. He is also working towards the G
 raduate Certificate in Early Modern Studies\, administered by the UCLA Cen
 ter for 17th- &amp\; 18th-Century Studies and the UCLA Department of Spani
 sh &amp\; Portuguese. Chase's research interests center thematically on hi
 stories of cultural encounter\, race and identity\, religious conversion\,
  and knowledge production\, and geographically on the early modern Iberian
  empires in maritime Southeast Asia. He is the co-founder of the Global Hi
 story Podcast\, a digital history project which features interviews with s
 cholars on research in early modern global history.\n\nJeffery C. J. Chen 
 is a third-year Ph.D. student in Modern British history at Stanford Univer
 sity. He is currently working on revising our understanding of the First A
 nglo-Chinese War (1839–1842)\, by situating the conflict within the long
  history of China’s ‘South Sea’ frontier. As part of this project\, 
 Jeffery draws on visual materials—China coast paintings\, engravings\, c
 ommemorative objects\, and ship designs—to reconstruct the cultural foun
 dations and legacy of China’s violent introduction to modern European im
 perialism.\n\n\n\nImage: William Daniell\, A View of the European Factorie
 s at Canton\, c. late 18th to early 19th century. Oil on canvas. Accepted 
 by HM Government in lieu of Inheritance Tax and allocated to the National 
 Maritime Museum\, Greenwich\, London\, 1999.
ATTACH;FMTTYPE=image/jpeg:https://1718.ucla.edu/wp-content/uploads/2021/01
 /critical-convo-1-_web.jpg
CATEGORIES:Lectures
END:VEVENT
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
X-LIC-LOCATION:America/Los_Angeles
BEGIN:STANDARD
DTSTART:20201101T010000
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
END:STANDARD
END:VTIMEZONE
END:VCALENDAR