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UID:389@1718.ucla.edu
DTSTART;TZID=America/Los_Angeles:20221001T090000
DTEND;TZID=America/Los_Angeles:20221001T173000
DTSTAMP:20220928T175709Z
URL:https://1718.ucla.edu/events/objects-talk/
SUMMARY:Objects Talk: Transformations in Iberian American Art | Los objetos
  hablan: transformaciones en el arte iberoamericano
DESCRIPTION:Bilingual Scholar’s Day | Coloquio bilingüe \n–conference 
 organized by Ilona Katzew (Los Angeles County Museum of Art)\, Charlene Vi
 llaseñor-Black (University of California\, Los Angeles)\, Susan Deans-Smi
 th (University of Texas\, Austin)\nThis conference will be held in person 
 at the Clark Library and livestreamed on the Center’s YouTube Channel. 
 To attend the conference in person\, you must register by submitting the b
 ooking form below. No registration is needed to watch the livestream.\n\nI
 n conjunction with LACMA’s exhibition Archive of the World: Art and Imag
 ination in Spanish America\, 1500–1800\, UCLA’s Center for 17th– &am
 p\; 18th–Century Studies\, the William Andrews Clark Memorial Library\, 
 and LACMA are co-organizing a major international scholar’s day. The eve
 nt will enable scholars to present new research in this rapidly growing an
 d vibrant field. Echoing the overall premise of the exhibition\, presenter
 s will take a close or “slow look" at individual artworks and the storie
 s they tell from an artistic\, historic\, and material perspective. The pr
 esentations will also address various frameworks for viewing this material
  as part of an evolving artistic canon\, as well as the valorization and c
 ommercial effects of this rapidly growing field of research and collecting
 .\n\n\n\nCon motivo de la exposición del LACMA Archivo del mundo: arte e 
 imaginación en Hispanoamérica\, 1500-1800\, el Center for 17th– &amp\;
  18th–Century Studies y la William Andrews Clark Memorial Library de UCL
 A\, junto con el LACMA\, coorganizan un importante coloquio académico int
 ernacional. El evento brindará la oportunidad a varios especialistas de p
 resentar sus nuevas investigaciones sobre esta área de estudio cada vez m
 ás relevante. Haciéndose eco del concepto general de la exposición\, lo
 s participantes ofrecerán una “mirada lenta” o detenida de objetos in
 dividuales y analizarán las historias que emanan desde un punto de vista 
 artístico\, histórico y material. Las presentaciones también abordarán
  varios marcos conceptuales para analizar este material como parte de un c
 anon artístico en vías de transformación\, así como la valoración y e
 fectos comerciales que está teniendo este campo de investigación y colec
 cionismo cada vez más destacado.\n\nSpeakers\n\nPablo F. Amador Marrero\,
  Instituto de Investigaciones Estéticas\, Universidad Nacional Autónoma 
 de México\nAnanda Cohen-Aponte\, Cornell University\nRebecca Earle\, Warw
 ick University\nErika Escutia\, Universidad del Claustro de Sor Juana\, Me
 xico City\nElena FitzPatrick Sifford\, Muhlenberg College\nCécile Fromont
 \, Yale University\nAkemi Luisa Herráez Vossbrink\, The Wallace Collectio
 n\nAaron M. Hyman\, Johns Hopkins University\nSamuel Luterbacher\, Occiden
 tal College\nCarlos Rodríguez Morales\, Real Academia Canaria de Bellas A
 rtes de San Miguel Arcángel\, Tenerife\nGabriela Siracusano\, CONICET-Cen
 tro Materia\, Universidad Tres de Febrero\, Buenos Aires\nSusan Webster\, 
 College of William and Mary\n\n\nAll attendees must adhere to the UCLA COV
 ID-19 Protocol for Organized Events. This protocol will be in effect until
  further notice and adjusted as needed to respond to evolving public healt
 h conditions.\nFace masks: It is strongly recommended that all attendees 
 at indoor campus events wear a highly protective mask (i.e. surgical\, N95
 \, KN95\, or KP94).\nRequirements for event entry: All  attendees must p
 resent  proof  of  COVID-19  vaccination  or proof  of  negative  
 COVID-19 test per Los Angeles County Department of Public Health guideline
 s.\n\n\n\n\nImage: Unidentified artist\, Folding Screen with Indian Weddin
 g\, Mitote\, and Flying Pole (Biombo con desposorio indígena\, mitote y p
 alo volador) (detail)\, Mexico\, c. 1660–90\, Los Angeles County Museum
  of Art\, Purchased with funds provided by the Bernard and Edith Lewin Col
 lection of Mexican Art Deaccession Fund\, photo © Museum Associates/ LACM
 A\n\n\n\nProgram\n\nSaturday\, October 1\, 2022\n\n9–9:30 a.m.\nCoffee\n
 \n9:30–10 a.m.\nWelcome and Opening Remarks\n\n10–11:30 a.m.\nSession 
 1Opening the Canon: The Invisibility of Objects and Their Histories\n\nIma
 gining an Otherwise Art History of Colonial Latin America: Surrogation and
  Other InterventionsAnanda Cohen-Aponte\, Cornell University\n\nThere Is N
 o Brazil without Angola: Painting the Portuguese Atlantic in the Late 18th
  CenturyCécile Fromont\, Yale University\n\nBlack/White Bodily Dichotomy 
 in Spanish Viceregal PaintingElena FitzPatrick Sifford\, Muhlenberg Colleg
 e\n\n"The Most Interesting and Valuable Productions Ever Publicly Exhibite
 d”: Mexican Casta Paintings in 19th-century BritainRebecca Earle\, Warwi
 ck University\n\nDiscussant: Susan Deans-Smith\, University of Texas\, Aus
 tin\n\n11:30–11:45 a.m.\nCoffee Break\n\n11:45 am–1:15 p.m.\nSession 2
 The Shifting Meaning of Objects and the Market\n\nErrátiles sentidos. Las
  joyas enviadas por Hernán Cortés a Carlos V en 1524Erika Escutia\, Univ
 ersidad del Claustro de Sor Juana\, Mexico City\n\nAtribuciones vs. recata
 logaciones del arte hispanoamericanoPablo F. Amador Marrero\, Instituto de
  Investigaciones Estéticas\, Universidad Nacional Autónoma de México\n\
 nColonial Spanish American Paintings in British CollectionsAkemi Luisa Her
 ráez Vossbrink\, The Wallace Collection\n\nGeografía y mercado del arte.
  Dilemas en la catalogación de arte hispanoamericanoCarlos Rodríguez Mor
 ales\, Real Academia Canaria de Bellas Artes de San Miguel Arcángel\, Ten
 erife\n\nDiscussant: Charlene Villaseñor-Black\, UCLA\n\n1:15–2:30 p.m.
 \nLunch Break\n\n2:30–4 p.m.\nSession 3Close Looking: Objects as Epistem
 e\n\nIdeas para la creación de un atlas material americanoGabriela Siracu
 sano\, CONICET-Centro Materia\, Universidad Tres de Febrero\, Buenos Aires
 \n\nNew Grounds: Painting Lacquer in 18th-century New SpainSamuel Luterbac
 her\, Occidental College\n\nBody Parts: Transformations in 18th-century Qu
 ito SculptureSusan Webster\, College of William &amp\; Mary\n\nThe Loops a
 nd Knots of Bernardo de Gálvez’s Equestrian PortraitAaron M. Hyman\, Jo
 hns Hopkins University\n[not available on livestream]\n\n\nDiscussants: Il
 ona Katzew\, LACMA\; Ellen Pearlstein\, UCLA\n\n4–4:30 p.m.\nConcluding 
 Discussion\n\n4:30–4:45 p.m.\nCoffee Break\n\n4:45–5:30 p.m.\nBaroque 
 and Traditional Music from Spain and New SpainSon del Centro and UCLA Earl
 y Music Ensemble\, with directorsElisabeth Le Guin and Marylin Winkle\n\n5
 :30–6:30 p.m.\nReception\n\nDownload Program as pdf\n\nThis event is fre
 e of charge. To attend the in-person event at the Clark Library you must b
 ook in advance. (Registration is not necessary to view the livestream on o
 ur YouTube Channel.) Bookings are limited and available on a first-come\, 
 first-served basis.\n\n** To be added to the waitlist please email c1718cs
 @humnet.ucla.edu **
ATTACH;FMTTYPE=image/jpeg:https://1718.ucla.edu/wp-content/uploads/2022/08
 /Publicity-Image_Objects-Talk-_website.jpg
CATEGORIES:Conferences,Cosponsored Event
LOCATION:UCLA William Andrews Clark Memorial Library\, 2520 Cimarron Street
 \, Los Angeles\, California\, 90018\, United States
GEO:34.033012;-118.314487
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