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UID:324@1718.ucla.edu
DTSTART;TZID=America/Los_Angeles:20210205T090000
DTEND;TZID=America/Los_Angeles:20210206T160000
DTSTAMP:20210204T224128Z
URL:https://1718.ucla.edu/events/resituating-comedia-2/
SUMMARY:Resituating the Comedia\, Conference 2: Made for the Stage:  Transl
 ation and Performance
DESCRIPTION:–organized by Barbara Fuchs (UCLA)\n\nFriday\, February 5\, 2
 021\n9:00 a.m.–4:00 p.m.\n\nSaturday\, February 6\, 2021\n9:00–11:00 a
 .m.\n\nWorkshop on Translating for Performance\nSaturday\, February 6\, 20
 21\n11:15 a.m.–1:00 p.m.\n\nZoom Meetings\n\nThis conference is free of 
 charge\, but you must register for each session in advance to attend. All 
 audience members will receive instructions via email after registration. C
 lick the following link to register directly with Zoom:\nFriday\, February
  5:\n https://ucla.zoom.us/meeting/register/tJErceGtqjMpHtIyZXCMj8aie02z_d
 3cjCEt\n\nSaturday\, February 6:\nhttps://ucla.zoom.us/meeting/register/tJ
 YodO2oqzMoGdWvLzS92MihGD0os93xWVtN\n\nFor the Workshop on Translating for 
 Performance\, please click the following link to register directly with Zo
 om:\nhttps://ucla.zoom.us/meeting/register/tJwucO6orj0jG9XbnZIrG6z5hzm0p2S
 y_n-g\n\nStudies of the 17th-century Hispanic comedia have been reinvigora
 ted by a strong turn to both early modern and contemporary performance. Sc
 holars have also explored the transnational reception of the corpus\, its 
 translation\, and its adaptation. This focus on performance and transnatio
 nal reception has changed our understanding of the corpus\, as of individu
 al plays within it\, by foregrounding questions of ideology and canonicity
 \, situatedness and transformation.\n\nBuilding on the efforts of UCLA’s
  Working Group on the Comedia in Translation and Performance and its Diver
 sifying the Classics initiative\, as well as the Clark Library’s strong 
 holdings in both French and English reworkings of the comedia\, the Center
  &amp\; Clark’s year-long core program “Resituating the Comedia” exp
 lores new contexts for Hispanic classical theater. In addition to presenti
 ng new research\, the program provides an opportunity for practitioners to
  encounter new plays and for working translators to share methodologies an
 d interact with practitioners.\n\nTwo conferences\, along with two roundta
 bles with local scholars and practitioners\, highlight and examine the new
  comedia studies\, with its emphasis on performance and transnational rece
 ption.\n\nThe second conference\, “Made for the Stage: Translation and P
 erformance\,” will address the following questions: How has a new genera
 tion of translators taken up the challenges of performance? What are the b
 est practices in translating for performance\, and the available channels 
 for collaboration? How do translators’ choices also impact the literary 
 and performance canon?\n\n\n\nProgram Schedule\n\nFriday\, February 5\, 20
 21\n\n9:00 a.m.                      \nBronwen Wilson
 \, University of California\, Los Angeles\nWelcome\n\nBarbara Fuchs\, Univ
 ersity of California\, Los Angeles\nIntroduction \n\n9:15 a.m.\nA Place a
 t the Table\nModerator: Javier Patiño Loira\, University of California\, 
 Los Angeles \n\nDakin Matthews\, California State University\, East Bay\n
 “Incorporating the Comedia into the Western Anglophone Canon” \n\nLau
 rence Boswell\, Associate Artist\, Royal Shakespeare Company\n“Championi
 ng the Golden Age in the UK”\n\nRichard W. Huddleson\, Queen Mary\, Univ
 ersity of London\n“Rivers that Divide and Connect: Relocating a Galician
  Entremés in Ireland” \n\n11:15 a.m.\nBreak\n\n11:30 a.m.\nThe Practic
 e of Diversifying the Classics\nChair/Respondent: Edward “Mac” Test\, 
 Boise State University (to be confirmed)\n\nRhonda Sharrah\, University of
  California\, Los Angeles\n"Translating Entremeses as Creative Practice"\n
 \nCheché Silveyra\, University of California\, Los Angeles\n"Presenting t
 he Comedia in Translation: What Our Introductions Do"\n\nRafael Jaime\, Un
 iversity of California\, Los Angeles\n"The Place of Translation and Adapta
 tion"\n\n12:45 p.m.\nLunch break \n\n2:00 p.m.\nPerformance and Reception
 \nModerator: Michael Hackett\, University of California\, Los Angeles \n\
 nSarah A. Grunnah\, Ahmanson-Getty Postdoctoral Fellow\n"Speaking Silence:
  Translating Calderón's No hay cosa como callar for Audio Performance" \
 n\nPeter Cockett\, McMaster University\n“Finding Gender Fluidity in Lope
  De Vega’s Women and Servants: Casting and Costuming”          
         \n\nSusan L. Fischer\, Bucknell University\; Visiting Schol
 ar\, Harvard University\n“Performing Intertextuality: A Spectator’s Li
 minal Transitioning between Lope de Vega and John Logan—And Other Sundry
  Thoughts about Performance and Translation”\n\n4:00 p.m.\nConclusion \
 n\nSaturday\, February 6\, 2021\n\n9:00 a.m.\nTranslating Gender Trouble\n
 Moderator: Elisabeth Le Guin\, University of California\, Los Angeles\n\nH
 arley Erdman\, University of Massachusetts Amherst\n“Messy Middles and M
 essier Endings: Wrestling with La serrana de la Vera in 2021” \n\nMarta
  Albalá Pelegrín\, California State Polytechnic University\, Pomona\n"Tr
 anslating The Lieutenant Nun (ca. 1626): Crafting Dramaturgy on the Page"
  \n\nEdward “Mac” Test\, Boise State University\n“Translating Lieut
 enant Nun/La monja alférez for Stage Production”\n\nNew adaptation of s
 cene from Lieutenant Nun/La monja alférez\nDirected and Produced by Paul 
 O’Mahony\nWritten by Edward “Mac” Test\nPerformed by Evelyn Miller a
 nd René Thornton Jr.\n\n11:00 a.m.\nBreak\n\n11:15 a.m.\nWorkshop on Tran
 slating for Performance\n\n\n1:00 p.m.\nConclusion\n\n\n\nImage: Alegoría
  de la vanidad (supuesto retrato de la Calderona)\, courtesy of Patrimonio
  Nacional de España.
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CATEGORIES:Conferences,Core Program
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